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Showing posts with label non-fiction. Show all posts
Showing posts with label non-fiction. Show all posts

Monday, February 20, 2012

Kathi Holmes Inspires Her Readers with Her Book, I Stand With Courage: One Woman’s Journey to Conquer Paralysis

Kathi tell us a little about your background. 
After nearly fifteen years of diligently completing one class at a time, I graduated from Metropolitan State University with a Bachelor of Arts degree.  I began with a focus on counseling, conducting several support groups, later switching to a communications major. During that time I worked either full or part time while raising my family. The tenacity I demonstrated was a good role model for my children and helped me keep the focus on my book.  

Before retiring, I had a lengthy career in advertising, marketing and publishing; working at both major Twin Cities newspapers, marketing for senior-housing communities, and publishing a residential real estate trade publication. During this time I wrote for both business and pleasure.  

Why did you choose this genre?
In 2008 I suffered spinal cord damage and became paralyzed. While I was confined to a rehab center my husband, Charlie, was in and out of hospitals. He had quadruple bypass surgery followed by complications and a below the knee amputation due to a diabetic infection. We were both alone in our medical quagmires. 

The horrendous medical problems my husband and I incurred that year gave me the fuel for my book. Family, friends, and acquaintances all marveled at my recovery from paralysis. I heard comments like, “it’s a miracle,” “you are an inspiration to me,” “how did it happen?” I wanted to share my personal life experience as a message of hope for others trying to overcome challenges. I experienced a remarkable transformation when I was diagnosed with a below the waist paralysis and told I would be living with paralysis the remainder of my life. Through acceptance, courage, faith and determination I am now walking with just a cane. I hope to inspire others to rise above their affliction whether it is mental or physical. I have always loved to encourage and inspire others to be the best they can be. Now I am doing that through my book, I Stand With Courage: One Woman’s Journey to Conquer Paralysis. 

How is writing in the genre you write, different than other genre?
In some ways, writing fiction is easier than non-fiction. With fiction you can expand your reader’s reality in any way you choose. It’s like a mysterious journey through the woods. When you come to a fork in the path you can choose the familiar or venture into unknown territory. Fiction allows the reader to escape into the world of the author. Non-fiction brings “real life” to the reader. Non-fiction must stick to the facts. Writing a memoir or about a personal experience is even harder. It challenges your memory and word by word makes you relive your life from the outside in. While enlightening, it’s often difficult to reach inside yourself. Over and over you must ask yourself, “How did I feel?” “What was I thinking?” “Why did I respond in that manner?” It is, however, therapeutic.   

What are some of your books, stories that have been published?
I have written both for business and pleasure, writing my first play for the fourth grade paper sale. I have had non-fiction articles published on topics covering accepting breast cancer and lifestyles and traditions. “I Stand With Courage” is my first book. 

Can you tell us more about your book, and where we may find it?
I Stand With Courage: One Woman’s Journey to Conquer Paralysis is available by ordering it at your local bookseller, Amazon.com, BarnesandNoble.com, InspiringVoices.com or, for a signed copy, at my website: www.IStandWithCourage.com . ISBN: 978-1-4624-0022-5. It is also available for Kindle or Nook.

The description on the book cover describes this book very concisely.  

Was it a miracle, God-given determination, or both, that lifted Kathi from the paralysis that blindsided her, confining her to a wheelchair? No one wants to face such a life-changing health crisis, but Kathi takes us on her journey of creating a new life with a disability. With a husband also hospitalized, she is alone in her battle. A rehab center becomes her home while she searches for strength of body—and mind. See how acceptance, determination, and courage can overcome the challenges of everyday life. Reading about her progress, you realize she is just like you—an ordinary person who accepts and achieves the challenge to accomplish extraordinary feats, inspiring us by her power of faith and determination. 

Where do you get your ideas for writing?   

Having written mostly non-fiction my ideas come from my life experiences. 

What is your favorite thing about your book?
It demonstrates how ordinary women can conquer extraordinary challenges.
Why and when did you begin writing?
It seems I have always gravitated toward writing. I write with no expectation in mind, just a passion for writing and honing my skill.
Is there any one person who had a big influence on you or encouraged you to write? 
After encouraging a friend and former teacher to begin teaching a writing class, the tables turned and she became my coach, helping me to think outside the box.
However, I must admit, I would not have a book if it weren’t for my paralysis and becoming a first time grandmother. I wanted to be a “proper” grandmother. That truly inspired my determination and quest for mobility. It’s amazing how little tugs at your heart can make a major impact on your life.
What is your writing schedule?  What atmosphere do you need to write?
All my writing is done on my computer. An idea will come to me – usually in the morning – and I will key in notes. If I get excited about the topic I will continue to write on that subject; often turning to look outside and find the sun has already gone down. I am always alert to new story ideas.
What projects are you working on now, or plan for the future?
I would like to challenge myself with some humorous short stories – a little embellished non-fiction. In an effort to market my book, I will be creating a blog on my website and delving into speaking to groups about challenging themselves to be the best they can be.  
What kind of advice or tips do you have for someone who wants to write and be published?  

Edit. Edit. Edit.  Use a good editor. Self-publishing is not a sin. Research publishers and know exactly what you will be receiving for your payment. 

Are there any other comments, advice or tips that you would give to beginning writers? 

Writing is a process. The more you write the better you get. If you love it, keep writing and learning.  I believe everyone should write. I encourage people to write, whether it is your own book, journal, memoir or cookbook. It doesn’t matter whether you publish it or not. What does matter is that you leave a legacy for your family so that they may know who you are. Now that I am retired and have more time, I have so many questions I would like to ask my mother if she were alive.  

What do you do when you are not writing?  
Having spent much of my time working and raising kids I never read much. Now that I am retired I have become an avid reader of mysteries, intrigue, inspirational books and stimulating biographies or autobiographies. I read magazines, newspapers and just about any article that lands in front of me. Scrapbooking and card making is relaxing – just like when I was in kindergarten. I relish family times, especially with my granddaughters. Travel has been a passion, although we don’t do as much traveling as we did before my husband and I became handicapped. 

Include anything else you may wish to add.  
To all you writers (and those with dreams): Go for it. Why not?
What “Made It” moments have you experienced in life?  
1) Starting a business from scratch and leading it to success. This increased my confidence ten-fold.  
2) Surviving several life threatening health challenges. I am now determined to live as full a life as I can.
3) Becoming a published author. The process was often taxing, but sharing hope with others as well as leaving an inspirational legacy for my grandchildren is well worth it.
I close with a quote from my book, “None of us knows what the future holds for us. May we all be blessed with the courage, determination, and faith to conquer the challenges.”

Wednesday, February 1, 2012

Visiting with Debra Duneier and talking about Her Book, EcoChi: Designing the Human Experience

Tell us about the genre of your work.  Why did you choose this genre?

I did not choose the genre of the book… it kind of chose me. This is my first book so I hired an editor early on to guide me through the process. My first objective was to write a business book. After all, I spent most of my career building businesses and so I thought I should write a book that would help businesses. When I sat down to write, the words were flowing through me like a natural spring. There were stories to tell and they were at my fingertips. These were stories about people. These people faced challenges in their personal or professional lives and when they heard about EcoChi they were excited to call me to consult with them.  The stories get even more powerful after EcoChi was implemented and I felt like these stories had to be told. I submitted my first chapter to my editor and she said things like “this belongs in your autobiography-not this book” or “save this for your novel!” This confused me. What kind of book was this? I called my son Jamie in LA who is a writer for NBC’s “Parenthood” and explained to him my creative process. Jamie listened patiently and then said, “Mom, remember to stay honest and true to your own voice.”  Even today those words help to navigate me through the most challenging days of writing. I sat, I wrote and the book became a self-help book because that was the story that wanted to be told.
How is writing in the genre you write, different than other genre?

My new book creates awareness that life is lived the way it is designed and offers readers the tools to create indoor spaces that support their goals both personally and professionally and at the same time propagate environmental integrity. Readers learn how to do this through story telling-getting a glimpse into people’s lives and to see how they designed their interiors to lift them above their challenges. There is also a call to action, tips and an educational component to the book as well. There is movement to a self-help book and when done well it becomes more than entertainment-it becomes ingrained in one’s life.
What are some of your books, stories that have been published?
I write 5-6 days a week. I have 3 blogs, I have 1 column that I write weekly, 2 monthly columns, I am a guest writer for a variety of websites and of course there is always… the next book. My most well-known piece before “EcoChi: Designing the Human Experience” was my article about preparing the White House for President Obama before he moved in, called Feng Shui for the White House. The media really liked this article and it got picked up all over the world. My published articles are all about living a better life through better choices whether the subject is feng shui, green and sustainable living, environmental psychology or wellness.
Can you tell us more about your book, and where we can find it?
 EcoChi: Designing the Human Experience Released September 17, 2011
“Scientific and mathematical studies dating back to ancient far eastern tradition prove that the space that surrounds us is not easily separated from who we are, how we feel, and each of the life choices we make. Debra Duneier’s EcoChi System is built on a solid foundation of classical feng shui, green and sustainable living, healthy choices and environmental psychology. EcoChi goes beyond design and materials. It is about the kind of life that can be achieved when our spaces and surroundings work for us rather than against us. In her book, Debra invites you to share her journey and read the honest, open, revealing stories of her clients, who have experienced the power of EcoChi firsthand…”
Hard cover 4/color eco-friendly Limited edition for purchase www.EcoChi.com
All E-Versions are available: www.Ebookit.com , Apple's iBookstore, Amazon.com, Sony's Reader Store, Barnes & Noble, Kobo, Borders Books, Diesel eBook Store, and Google Editions.
ISBN 978-0-9748103-8-6
Where do you get your ideas for writing?

My ideas come from my life experience and extensive studies. This has created a deep desire within me to share what I have learned and to enrich people’s lives while at the same time propagating environmental integrity.

What is your favorite thing about your book?
 My favorite thing about the book is that the physical form of the book embodies the EcoChi concept. It is a 4/color, hard covered, eco-friendly book certified by the Forest Stewardship Council. It is small for easy transporting and is beautiful to look at- creating an experience for the reader.
Why and when did you begin writing?  Is there any one person who had a big influence on you or encouraged you to write?
 At age nine, I wrote my first poem, which I called “A Room with Four Walls.” At that age writing was a personal outlet for me. I had a difficult childhood and there was no one to talk to. A blank page was the safest place for me to express my fears and pain-it couldn’t lash out at me. I was out of harm’s way when I was in school and also the public library. Books became my first love. The novels that I that I read acted like a magic carpet ride creating possibilities of a better life ahead, in my mind and in my soul.
What is your writing schedule?  What atmosphere do you need to write?
I have to fit writing in around my busy schedule of promoting my book, TV interviews, radio, book signings, speaking engagements, chats and podcasts, as well as EcoChi consultations. I make a list in order of priorities and writing is on that list. For my creative pieces, my favorite place to write is in my outdoor office on the North Fork of Long Island. Surrounded by organic farms, vineyards and the Long Island sound with my feet firmly planted in nature my creative juices flow! This is where my first book, EcoChi: Designing the Human Experience was written as well as many of my columns-usually the best ones!
What projects are you working on now, or plan for the future?

My next book will be EcoChi Recipes for a Better Life. These recipes will include step by step EcoChi instructions for interior design, creativity, work life, celebrations, loss, wellness, life crisis and turning points. My Monthly columns are for http://www.thethreetomatoes.com
in there Green Living section for the New York area.

What kind of advice or tips to you have for someone who wants to write and be published?

First-The publishing business is quickly changing. By the time you read this article it has probably changed again, so be sure you do your homework before you decide whether to self-publish or look for a traditional publisher. Talk to other authors who have been through the process recently. Join online chats and groups. Make an informed decision. As for your writing, take my son Jamie’s advice and stay true to your own voice. Let your passion flow and the readers will follow…

Are there any other comments, advice or tips that you would give to beginning writers?
Every artist knows that the toughest critic is oneself.  Those of us, who are lucky, we have had moments when we feel that we are just an instrument of a story, that demands to be told. These are true moments of inspiration so do not let anyone tell you to “save that for your next book” or that there is no reader for your subject. Your job is to tell the story well and to believe in your work. Do not allow others to dictate your art.
What do you do when you are not writing?
In addition to my EcoChi consulting business, and columns, I am a keynote speaker and also run workshops and seminars for a variety of corporations and trade organizations.

Creating the EcoChi system and writing EcoChi: Designing the Human Experience, was a journey. One that started when I was in a crisis in my own life and went to a Chinese Master for acupuncture for a frozen shoulder:

Gently and with great skill the Master strategically placed the needles into my skin. It felt strange, like a pinch, but it was not as painful as I anticipated. I could feel a wave of energy moving around the needles and all over my body, inside and out. Suddenly, the Master broke the silence: “You have a gift.” I held my breath, hoping he would say more. What was he talking about? After a few moments had passed, he added this: “Do not waste it.” That said, he walked out of the room and closed the door behind him. Stunned by his words, I lay there, reflecting on my life, and on what in the world my “gift” could be.” Excerpt from Chapter 1


What “Made It” moments have you experienced in life?

  • One of the first women to become a certified gemologist in the US
  • Presenting a colored gemstone seminar for J.C. Penny’s first satellite conference
  • Featured guest for Martha Stewart Radio ½ hour show
  • My article picked up by the Associated Press
  • Featured by Barons.com
  • Mistress of Ceremonies for Green Initiatives Conference
  • EcoChi feature article on Sierra Club homepage
  • My column picked up by the Huffington Post
  • EcoChi system implemented in a new construction project in Harlem for the largest and oldest minority, owned construction company in the US.
  • Gave birth to 2 children who are the light of my life

Check Debra’s links to learn more about her and book. www.EcoChi.com

You can visit my other blog at: http://love-faith-and-guts.blogspot.com/ that features a preview to my new book that will be released in 2012, Traveling a Rocky Road with Love, Faith and Guts.

Thursday, September 29, 2011

Behind the Scenes with Publishing Consultant, and Literary Agent, Pat Shepherd

Tell us about yourself, and why/how you became a publisher.
My background needs explaining here as I have experience across all areas of publishing including being an author. I now run my own company as a Publishing Consultant as well as being an agent. I successfully sold my first multiple contracts for one of my authors six months after starting my agency.
I started my working life as a teacher then moved into educational publishing almost by chance as an area manager – having never sold anything in my life running a sales team! I was quickly promoted to become project editor on a major reading and language programmer. This entailed writing teacher resource materials and some pupil activities such as games, worksheets etc along with some of the reading books. I did not get my name on many of the materials mind you! I probably earned the company around £6 million in turnover in around 10 years!
I found it intensive and needed to get somebody else on board as well as I had two maternity leaves (13 weeks!) and with two young children I needed to take the pressure off myself so, I started looking for a potential author. I found him. He was the head of a trial school I was using and he went on to publish numerous books for other publishers as well. His name was Louis Fidge and I am delighted that I gave him the step up he needed and he went in to writing full time.  
After several moves, I ended up as UK Sales manager of an educational publishing house before being approached to join a major trade house as a consultant and then joining as UK Sales manager for Children’s Books. Children’s has always been my specialty. After being promoted to sales director and being there 14 years, I decided to jump ship and create my own business as a publishing consultant.
Over the years in various publishing houses I have done – editorial, sales, marketing, publicity, both trade and educational. In the smaller places, I was doing virtually all four at the same time. That is the joy of the small houses.
A sales conference at an editorial meeting.
When I jumped ship I quickly became even more experienced in all the above plus production along with customs requirements and the setting up of joint ventures with various other agencies for a couple of my clients.
My major role as Publisher is at Lerner Books where I choose all the books for publication in the UK from the US list, including project management of the whole enterprise. We cannot take on UK authors to write for us at present as the print runs are too small, and we cannot make the costs work. One day we will!
In addition, I set up my literary agency alongside the consultancy, which is in its early days. Part of that is working with a new digital development house as both their agent to sell their digital offerings to print partners and as their marketing agent to sell the apps and eBooks. Moreover, I have sold a multiple contract for picture books to a small startup publishing company for publication next year.   
How long does it take to make a name a publishing house in the industry, and what frustrations have you overcome to make it a success?
In the small houses, the media often overlook you because it is all about what the big houses think. IPG (Independent Publishers guild in UK) is now getting more of a force to be reckoned with which is giving small houses more of a voice.  In the big houses, you have to fight to get your bosses to trust you to be allowed to talk to the Bookseller or other trade press without having to get everything vetted in advance. That can be frustrating. Once they realize you actually do not say stupid things the brakes are off and you can get your name known in the press then you become someone who is allowed an opinion. However, it takes a lot of effort. 
What is the breakdown of books you publish?
Children’s – all ages
How do you publicize your books?
Blogs, social media, mailings to schools, review and publicity mailings, advance copies to major buyers to encourage them to read the books, proof copies and website offers. Many books get given away but my theory is that for every one you give away you sell hundreds more.
In these tough economic times, do you think small publishers can make their mark on literature and the book selling market?  How best can small presses accomplish their goals?
In this global and internet age the small houses have an advantage in that they can react to things quickly. The big houses are like tankers and take forever to change direction or react to an opportunity. They also control their people too much and strangle creativity.
Online reviewers, such as book bloggers, have gained additional recognition at Book Expo America and with publishers and PR staff. Has your publishing company tapped this market of reviewers to spread the word about its books and how formal or informal and/or important are these relationships?
These are essential and I am only just really getting to grips with this. I am at the latter end of my career and wish I had the ‘e’ nous of my kids!
If you could give new one piece of advice about finding a publisher, particularly a small press, to publish their work, what would that be and why?
Just keep going and be as creative and imaginative in your pitch as you can be. Forget just sending a sample and biog. Catch their eye and make them see you as a marketing dream!
What types of publishers are there?  What kinds of publishers should the author be wary?
Be very wary of vanity publishers. Do not send your work to places where they charge you a fee to read it! That is a complete waste of time and money. Look at trade listings (Writers’ and Artists’ Year Book in the UK) or Bologna and/or Frankfurt Catalogues and match your book to their lists. Do not send to houses that do not publish your genre of book. It smacks of not knowing the market for your book.
Does an author have to have an agent? Why?  How does a writer find an agent?  What things should they consider before hiring one?
The big houses prefer an agent as they feel that the book has already passed one test – the eagle eye of an agent. In many instances now, they will not even read any submissions unless sent in by agent. You need to think about what that agent specializes in such as obvious things like do not send a children’s book to an agent who handles Health and Beauty books! 
How should an author prepare a query? What is the biggest mistake that aspiring authors make when they submit their work?
They do not research the best fit for their book on the publisher’s list, they do not ‘sell’ themselves just stick the book/sample in the post with a covering letter. They ignore the submission requirements and do not stick to them. However, having said that, occasionally it works – but that is because the author is a marketing dream and has been able to really show their added value, so the editor buys into that author and wants to see the whole thing. 
Is there always an editor signed to the author, and what other services should a writer ask about?
There will be several people involved from copy editors, desk editors etc. However, one will be the main contact and it is essential that the author and editor really get along, trust each other and collaborate on the book. It is a working partnership, one which transcends the publishing company. It is why authors often follow their editors if they move publishing house. The author can be a very vulnerable human being who is allowing another person to criticize and interact with his or her ‘baby’. It takes a lot of work and time for that relationship to become one of mutual trust and understanding, so breaking in a new editor can be traumatic for an author. It is far easier get along with them.   
Is there a marketing budget for new authors?

It depends on the contract. If there has been a bidding war and a big advance is paid, then yes. The Publisher has to really promote the book with big bucks to recoup their advance. Some of these big advance books never earn enough, so the advance is all the author will get (which can be big) but they will never get to the royalties stage as too much was paid out on contract. However, if the advance is a sensible amount and the marketing is spent wisely then the book has a great chance of selling in good numbers. If the publisher is small or the advance paid on contract very small then there will be very little marketing unless there is big support from the sales director and the sales team who get behind it and really push for the major promotions in the major resellers. Then marketing will be allocated later.    

What should an author know about their publisher’s distribution sources?

Do not get involved. It is horrible to see all the books coming back and being pulped but it is a fact of the business. Just know who they are!

Can books usually be purchased from the publisher?  If not, why would this not speak well or that publisher?

It is usually part of the contract to have a certain number of free copies at publication, reprint and a further quantity at a set discount. This will encourage the author to do their own events in schools and take along their books to sell on that day. On the official tours set up by the publisher, then a local bookseller will be organized to sell books.
Do all publishers assist the author in exploiting their subsidiary rights?
If they are any good they should.
What should considerations should be given to the book’s cover art?
Trust the publisher – they know their market, and where they are pitching the book. Major buyers will tell the publisher what they think and changes may be made as a result. An author will sometimes be asked to give an opinion. I am at the latter end of my career and wish I had the ‘e’ nous of my kids!  Be sensible and do not throw a wobbly. If you alienate the designer/publisher they will think you are ‘difficult’ and not want to be helpful. Even if you have the power of veto, do not use it. Say what you think in careful terms, but finish it with ‘but you know the market so I leave the final decision to you’. That way you will gain friends and always get to see the covers at each stage because you are being reasonable. At the end of the day, they do know their business and they do want your book to sell – honestly – even though it may not always feel like it.
What should an author know about royalties?
They should know what they are, where the breaks are and understand them. If you have an agent let them deal with the nitty-gritty but do try to understand them and always check whatever paperwork you are sent. Some royalty statements are horrendous to read – but then that is only if the book is selling in lots of places all over the world so that is a nice problem to have.
Should books be distributed to various reviewers, newspapers, bookstore owners, retailers, and radio stations? Why?
Yes, as word of mouth really can help. It does not always sell books but if it is sent out for review, it tells the reviewers and the chain buyers that the publisher really believes in this book.
Can you tell the writers the purpose of a publicist?  How does a writer get one?
This should be done by the publisher. You can pay a fortune to a publicist who will charge to send out reviews but not necessarily follow them up. How can you tell? You cannot. Once you are famous and have lots of fan mail etc it might be worth getting someone to deal with the Publishers publicity dept and agree your tours to your satisfaction, or create your own tours – lots of books can be sold on tour, get you to all the major festivals as publishers can’t take all their authors, look at all your fan mail and draft some answers for you – though try and do them yourself to begin with. 
Jobs a Publicist can do are:
·         Organize tours and travel arrangements
·         Accompany author on tour, carry bags, sort out problems and deal with the bookshop managers, and staff or festival organizers
·         Ensure the author has refreshments and a good supply of pens etc as well as a signing table or if they are giving a talk time to see the venue and make sure the equipment provided is as requested
·         Organize the signing queues – you’d be surprised what a pig’s ear some festivals or bookshops can make of something so simple
·         Make sure the author is not over used – IE they were booked to talk to a class of 30 eight year olds and what they get is 100 children from four classes of ages seven up to ten – not the same kind of event at all. If the author makes a fuss it, makes the children remember a complaining author, which is not good whereas someone working for them can be the buffer. The author can just say I have to do as my publicist says! Good PR. 
·         In advance they can be liaising with the venue to ensure there is an audience – exposure to an empty shop is death to an author
·          Deal with fan mail
·         Make sure the author gets away on time to catch their train etc
·         Does anything the author needs at the time to ensure they can perform their role as booked 
Do most publishers provide posters? Shelf talkers? Bookmarks?  What other services should a writer want to know about in this area.
This all depends on the reaction of the customers (chain buyers not end users) to the books and whether they want them. It is the bookshop that requests them not the publisher who decides on doing them. If a customer requests the shelf talkers then they should commit to a good quantity of books in the first instance – which can still comeback though!

If you would like to contact Pat you can do so by emailing her at:  Orchard Publishing Consultancy p.k.shepherd@btinternet.com