Hello! My name is Delin Colón. Born exactly halfway
through the 20th century, I grew up in a small artists’ colony,
Roosevelt, NJ, just an hour from New York City. That atmosphere certainly
imbued me with an appreciation of the arts. I began writing poems and short
stories at the age of 8, and throughout my secondary and university schooling,
contributed to and edited various literary magazines. My undergraduate work was in French; my
graduate work was in Clinical Psychology. I’ve worked as a researcher,
technical writer, artists’ model, proofreader, waitress, Playboy bunny,
psychiatric counselor and owner of a construction company, as well as an agency
that matched writers with clients.
My philosophy about places I’ve never been is that
you can’t really get to know them until you’ve lived there and met the people.
As a result, I’ve lived in New Jersey, Maryland, D.C., Florida, Montreal,
northern and southern California (San Diego and Eureka), and now coastal
Washington state. After 45 years of
moving around, I think it’s out of my system and I’ll stay put here in the Pacific
Northwest.
Looking back at my life so far, there are certain
ironies that strike me, contrasting my early flower child days with my current
middle age. I went from taking acid to taking antacid, an analogy that pretty
much sums it up.
Tell
us about the genre of your work.
I’ve always loved doing research and seem to be
obsessed with historical research, especially concerning Jewish history.
Why
did you choose this genre?
I think the genre chose me, rather than the other
way around. While it’s widely known that
Jews have, throughout history, been scapegoated, their plight tends to fall
between the cracks in historical accounts. For example, in my book, “Rasputin
and The Jews: A Reversal of History”, before discussing Rasputin’s aid to Jews,
I detail the oppressive conditions of Jews in Tsarist Russia. Generally, histories and stories concerning
the era of the last Tsar discuss the opulence of the aristocracy, the brutality
of the murder of the royal family, and the Revolution. But, few ever note the
tsarist regime’s brutal treatment and slaughter of entire populations of Jews.
The imprisonment and murder of the Tsar’s family, in the end, was no different
than what vast numbers of Jews suffered under Romanov rule, for centuries. Well, there was a difference: generally, Jews
were tortured before being murdered.
How
is writing in the genre you write, different than other genre?
The wonderful part of writing historical non-fiction
is that the characters and plot already exist. There is nothing to fabricate.
The research is the most time consuming aspect, but if you have a love for this
kind of detective work, as I do, it’s a pleasurable and inspiring pastime. Once
the research information is structured and organized, the work practically
writes itself. I have to say that I have the utmost admiration for fiction
writers (a genre I have attempted), who have to start from scratch, creating
the characters and plot out of thin air.
What
are some of your books, stories that have been published?
“Rasputin and
The Jews: A Reversal of History” – ISBN 978-1461027751 is on Amazon, in both paperback and Kindle: http://www.amazon.com/gp/product/1461027756
It’s also at Barnes & Noble, both in paperback
and Nook: http://bit.ly/wC5OcR and can be ordered at any other bookstore.
The book describes how Rasputin was vilified by the
rabidly anti-Semitic aristocracy, bureaucracy and clergy for advocating equal
rights for the oppressed Jews, as well as taking an anti-war stance in an era
of war mongering. Included are specific cases of Rasputin’s aid to Jewish
groups and individuals. The political interference he is often accused of
concerned his efforts to appoint cabinet members who were for equal rights for
Jews and who would be against war. The
debauchery he was charged with was found to be unsubstantiated and quite
hypocritical. The very aristocrats who accused him of drunkenness and
womanizing consumed French champagne and vodka by the case, and were rife with
venereal diseases themselves, due to their own promiscuity.
My website discussing the book and its background
is: http://therealrasputin.wordpress.com/
My current project is a book containing true stories
from the Pale of Settlement, the ghetto between the Black Sea and the Baltic
Sea that most Jews in tsarist Russia were confined to. I’ve been reading journals, memoirs,
autobiographies and biographies, as well as family histories people have sent
me. It occurred to me that one account of a person’s life in such an adverse
setting may give a taste of the time, era and conditions, but given many
accounts, one gets a view of a collective experience, and an understanding of
how widespread it was.
Where do you get your ideas for writing?
Much
of it is from my own family history and the stories that I’d been told. Among other things, I was told early on, that
my great-great uncle was Rasputin’s secretary. It was only later in my life,
doing searches, that I discovered his out of print memoirs in French which,
fortunately, I can read. What stunned me about the memoir were the myriad
accounts of Rasputin’s humanitarian efforts for the poor, the peasantry and the
Jews. While a few other authors have tried to rehabilitate Rasputin’s image,
none had really been successful. I felt compelled to try and spent a dozen
years digging up substantiating research.
What
is your favorite thing about your book?
It’s righting a historical wrong. It’s about the
powerful writing their side of history, rather than the common man, and having
that point of view pass as the only one.
It’s unique. While there have been more French authors (or Russians writing
in French) than English-speaking ones who have tried to vindicate Rasputin,
apparently, they haven’t been taken very seriously, which is unfortunate.
Why
and when did you begin writing? Is there
any one person who had a big influence on you or encouraged you to write?
I began writing at the age of 8. I was in the
hospital, recovering from an appendectomy, which in 1958 was not as simple as
the ones they do now. I started writing
about my hospital stay and the other kids in the room and their stories. I
wrote poems as well.
While I was encouraged by teachers, parents and
writing mentors, my motivation to write was so great that it was nearly
obsessive and needed no stroking. I’m a
bit of a recluse and generally share nothing I’m working on until it’s
complete. For me, writing is a very solitary process that doesn’t require a
support group, although it is always nice to meet a kindred spirit who’s doing
what I’m doing.
What
is your writing schedule? What
atmosphere do you need to write?
I don’t really have a schedule. Most of my time is
devoted to research, so I read for several hours a day, often marking passages
and taking notes as I go. Of course, the
research is never completely done because there’s always something else to read
on a subject, but when I feel I have enough convincing evidence to substantiate
my premise, I put each event or piece of information onto index cards. I
organize the index cards reflecting my outline, the structure and flow of the
book. Writing is the final part for me, linking together all the information,
so that each section segues logically into the next.
I can pretty much write anywhere, but I generally do
it on my dining room table, which we never use for eating anyway, because I
need the space to spread out my index cards, reference books and my writing
pad.
What projects are you working on now, or plan
for the future?
I actually have several ideas
brewing at the moment, but the one I’m currently working on is about true
stories from the Pale of Settlement, which I mentioned earlier. In addition, I
also have the diaries of my great grandfather who was one of the pioneer
settlers of a town in Israel, in the late 19th century, and I’d like
to write about him. I’d also like to rewrite “Rasputin and The Jews” into a
screenplay, which would be timely considering that the 100th
anniversary of Rasputin’s death is five years from now.
What
kind of advice or tips do you have for someone who wants to write and be
published?
I’m always loathe to give advice to other writers
because I believe each has his or her own idiosyncratic approach to the
process, and so much is intuitive. The
only thing I know is that you have to love what you’re doing – with a passion. I would recommend not discussing the work,
except perhaps with a mentor, editor or critiquing group (not family members or
friends), so as not to get sidetracked, until the work is completed. You also
have to ban any thoughts or worries about the publishing, marketing and
promotion while you’re in the process of writing. That can be distracting
enough to prevent you from being completely absorbed by the task at hand. Once
the work is done, there is plenty of time to attend to the business of writing.
Process first; business second.
Are
there any other comments, advice or tips that you would give to beginning
writers?
Unless there’s total conviction and security (or
divine inspiration) in what a beginning writer is doing, I would recommend
belonging to a writers’ group, led by someone experienced in the field, because
the critiques can be invaluable.
What
do you do when you are not writing?
Generally, when I’m not writing, I’m reading. I also do minimalist collages, which affords
a pleasant and relaxing break from intellectualism. I see certain images in
dreams, then translate them onto paper.
My art website is at: http://delin-colon.artistwebsites.com/
What
“Made It” moments have you experienced in life?
That’s an interesting question. I’ve been very fortunate in my life and have
had a number of life changing experiences that have caused me to shift
perspectives, from time to time. In
fact, I’ve noted that those events seem to occur about once every seven years. I don’t know the significance of that, if
there is any. To me, “made it” implies
static events and I see life more as a progression, a continuum, with one event
building on another. I’m basically a
lazy person and if I ever felt that I’d “made it”, there would be little
impetus for me to move on and do anything else.
I’d probably just put my feet up and drink one Harvey Wallbanger (a
screwdriver with a shot of Galliano) after another. So, I have to see myself as not having made
it, to maintain a degree of humility and to have the motivation to strive for
further self-expression. I hope that
makes some sense.
Note from
Sylvia: You can visit my other blog
at: http://love-faith-and-guts.blogspot.com/that features a preview to my new book, Traveling
a Rocky Road with Love, Faith and Guts.
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