Debra,
tell us a little about yourself and what inspires your writing.
I am a former Chicagoan who spent eight years
volunteering with homeless on the streets of both Chicago and Seattle. In addition to being the author of suspense
novel Painted Black, I am a freelance writer and the author of several
published short stories. I am currently
working on a second novel in the Jo Sullivan series which reflects the reality
of throw away youth striving to survive.
After spending my whole life in small town Illinois, I moved to big, gritty Chicago.
I was drawn there by a need to do
something that would make a difference in the world. A recent battle with cancer and exposure to
the struggles of a small church I visited on the south side of the city had
given me the courage to move out of my comfort zone.
My years spent volunteering with the homeless has changed
my world far more than I probably did theirs. I developed a real appreciation
for the people I met there, especially the kids. They’ve been kicked in the face, cursed and,
worst of all, ignored and yet they continue to fight to survive, to thrive.
I live in Seattle now and support myself as a freelance
writer. But I am still channeling the
lessons I learned on the streets of Chicago. I am surrounded here by mountains and ocean
and emerald green trees. But until the
human element can find a way to treat themselves and each other with respect
and understanding, I still feel a need to try to make a difference in the
world.
Tell us about the genre of your work.
Painted
Black is a suspense novel, but because it's so character
driven, it doesn't fit neatly into a genre niche. It's not a mystery in the sense that I start
with a crime and the story is about figuring how who did it. The mystery is actually more figuring out if
there has been a crime committed, or rather, which crime? A
street kid is missing and as they try to find her,
more suspicious questions crop up that need to be answered also.
Why
did you choose this genre?
While I read a wide variety of books myself (my
favorite all time author is historical novelist Dorothy Dunnett) mystery/suspense
has always been my favorite. It started
with the Bobbsey Twins and Hardy Boy books when I was a kid and continues
through Stephen King and Dean Koontz, et al.
My favorite authors always have a certain something that makes them rise
above the genre, however. Straight
whodunnit's were never as interesting to me as something that got me into the
mind of the character as much or more than the actual plotline.
What
are some of your books, stories that have been published?
Painted
Black is my first published novel, but I have had several
short stories published in print and online publications. One of them, Red Light, Green Light, is actually a story that arose out of one
of the main characters of Painted Black. I also had three short mysteries
published. They are my Evelyn A. Archer
stories which I call my cynical bitch mini-mysteries. An essay about one of the street youth I knew
in Chicago is
being published in the February issue of Ascent Aspirations.
Give
a short description of your book and where we may find it.
Painted
Black is a suspense novel that twists the reality of Chicago's
homeless community with murder, corporate greed, and a bizarre collection of
freeze-dried corpses. (Kindle edition ASIN: B006QYPCPC ) Barnes & Noble
(epub) edition: BN ID: 2940013794818)
A homeless man in a glass coffin, that's all Jo
Sullivan was looking for, some new material for her column in Winds of Change,
a weekly rag willing to dust the dirt off the seamier side of Chicago. But after she nearly turns a street kid into a
hood ornament, the tip dropped by a fifteen year old prostitute starts to look
more like a front page two inch headline.
When the young girl disappears, her friend Chris hints of a room filled
with corpses on display like an exhibit at a wax museum, and Jo and Chris team
up to uncover the truth behind Sloan and Whiteside's funeral home.
10% of the author profits from Painted Black will be
donated to homeless services, including The Night Ministry in Chicago, in appreciation for the work they do
in helping the homeless. I encourage anyone who reads my books to also support
any program working to eliminate homelessness.
The short stories were mostly in print magazines and
are no longer available. I did re-release
Red Light, Green Light ( Kindle
edition ASIN: B004XJ4MI0 ) (Smashwords ISBN: 978-1-4580-9102-4) and another
short story, Peeling the Onion, (Kindle
ASIN: B004V04MK4) (Smashwords ISBN: 978-1-4581-9767-2) as e-books. In addition, I compiled the complete set of
Evelyn A. Archer stories, including the three that were published. That book, Weeping Widows (Kindle ASIN: B005D9RH9K)
(Smashwords ISBN: 978-1-4661-1956-7) is also available for download.
How do you come up with the names of
places and characters in your books?
The place was easy.
Chicago
is such a vibrant, gritty city it actually feels like a character in Painted Black. The city is teeming with a life that
energizes and practically demands attention.
Character names are usually just a question of brainstorming. Sometimes they come to me fully formed in my
head, other times I might just start writing possibilities down until it sounds
right. For incidental characters that
the reader isn't going to spend much time with, I might try searching for
unusual (but too unusual) last names in a phone directory and then add first
names that give the whole a certain kind of rhythm or feel so that you get a
sense of what kind of person they are just from their name. I want to populate my stories with a wide
diversity of cultures and ethnic characters to reflect the melting pot a big
city really is.
How did you develop the character of
your protagonist in this book?
Jo Sullivan was born
out of my own metamorphosis of awakening to the wider world. She starts out as this flawed character just
trying to get on with her life, dealing (or in reality, not dealing) with her
own dark past by toughing it out. Then
she has this encounter with a 15 year old prostitute and something about the
girl releases this damn of awareness in Jo that she is no longer able to
ignore. She starts looking outside
herself, really looking at what's out there, and turns her anger at what's
screwed up in own life into energy to try to right the injustices of others.
What about an antagonist…is there a unique “bad guy”
or a recurring nemesis of any kind?
There are two, actually. Sidney Cole plays the largest role in the
sense that he is on scene the most.
Several of the chapters are actually told from his point of view. He is in his own way as flawed as Jo and the
kids she's trying to help, but his past has warped him so much that he is
trapped in his own sick world. He does
what Philip Quinlan tells him to only because he wants to be left alone and
Quinlan gives him that freedom in exchange for performing certain tasks. Quinlan is the more bone chilling character
because he sees nothing wrong with anything he does. He's a businessman in his mind, an
entrepreneur, nothing more. He does what
he feels he must to achieve his goals, no matter who it hurts.
What’s
your favorite thing about your book?
I really feel the book gives the
reader a good feel for what it's like to be homeless on the streets of Chicago. To me, it
is the street characters that give it the most life. I think that is because they are based
loosely on people I actually knew when I was volunteering there. One of the most base impressions my
experience gave me is that these people are largely invisible to the rest of
society, which is even worse in some ways than being despised. I want to give the homeless a personhood of a
sort, because so often they are treated as less than that.
How
is writing in the genre you write, different than other genre?
I don’t really think it is. All the elements are the same, you need
conflict, great characters, smooth writing, beginning, middle, end. The only difference is you need some
mysterious or suspenseful element as your main conflict. And even that isn't really any different--it's
just called "tension" in other books.
If there is no tension, no risk to the characters of some kind, then why
would the reader care about what happens?
Why
and when did you begin writing?
I've been writing since I was a
kid. I remember even binding a small
book using cardboard, construction paper and a typewriter when I was in junior
high. I even chose not to go to college
because I knew I wanted to be a writer and what did a writer need with a college
degree? I know better, now, but to my
17-year-old mind it made sense at the time.
I wrote all through my marriage and that was when I started submitting
things. I concentrated on novels at
first, but nothing worked until I started writing and submitting a few short
stories. Getting a few of those
accepted--for pay even!--gave me the confidence I needed to keep working on my
novels.
As an inspiration for Painted Black, the Jo Sullivan series I
am working on now, I spent twice a week volunteering with Chicago’s homeless,
youth in particular, and got to know a few on a personal level that made me
want to become a voice for them. My first manuscript in this series was
rejected at least 100 times before I finally gave up and moved on to Painted Black. It may someday come back
as a prequel, though obviously rewritten so it is as good as my recent work.
If there is one unifying theme to
my work now, it is an attempt to look the real world in the face, the good and
the bad, and keep going no matter what.
Like the character in one of my short stories says, “It’s how you deal
with the darkness that counts.”
What
is your writing schedule?
Writing time spent on my fiction is sporadic, at
best. I have a freelance business and a
part time job that take a lot of my time to make ends meet. Freelance writing I treat mostly like a
business, planning the 8-5 work day to fit in writing or researching or talking
to clients as needed to meet deadlines.
I do have two writer's groups that I belong to which makes me accountable
to have new fiction to bring to them every two weeks. We meet every other weekend, so at the very
least my goal is to spend the odd weekend concentrating on fiction only.
What
projects are you working on now, or plan for the future?
I am working on the second novel in the series, Bend me, Shape Me. It stars Jo and all of her friends like Painted
Black, but brings in a new street kid, Star Ramirez. This book addresses another common problem
found on the streets, mental illness.
Snow, who is bi-polar, believes the psychiatrist treating her brother is
trying to harm him in some way. The
suspense comes in the reader not knowing if her allegations are true and the
brother does need saving, or if it actually Snow who needs to be saved from her
own delusions.
I recently made a scary career move to jumpstart my
freelance writing business again. I've
worked on several projects, most of them editing or ghostwriting fiction, but
also did editing on a business book and wrote some Outlook how-to articles for
a website.
What
kind of advice or tips to you have for someone who wants to write and get
published?
It's a cliché, but the best thing to do is keep
writing. I had no formal training and
some of the stuff I churned out in the beginning, stuff that I thought was so
good, is so much more flawed than the work I produce now. You will learn by doing even if you can't
afford classes somewhere. As for
publishing, I'll be honest and say that I think it is mostly a waste of time to
submit to markets that pay nothing--unless, that is, it is a publication that
has a reputation that attaches a prestige to your acceptance by them. The only other advantage to having your
things published without payment is that it gives you samples to show potential
clients or editors. It is a way to
showcase that you write well, and that is the most important step to getting
published--write well!
Are
there any other comments, advice or tips that you would give to beginning
writers?
Join a writer's group. Take your time, though, and find one that
works right for what you need. You want
a group that will actually critique your work, not just tear it down or pat you
on the back. They should also have the
same goals as you. If you're writing because
you want to get published, it's not at all helpful to be part of a group where
most people mainly write because they love it and don’t really care if they get
published or not.
What
do you do when you are not writing?
When I'm not writing, I am spending a lot of time
promoting my writing, or looking for freelance opportunities online. As far as a personal life goes, it's kind of
dull when you think about it. I have a
dog named Sophie that I adopted who is great company and she keeps taking me on
walks or to dog parks. Most of my family
lives in Illinois so I usually end up relying
on friends to spend holidays with since I don’t' get to fly back home very
often. I have two grown sons. One is a TSA agent at an airport and one works
for Homeland security, so they are great resources for research when I need
that kind of info. They are very careful
about not getting away any national secrets though, lol.
What
“Made It” moments have you experienced in life?
The first moment was the acceptance of my first ever
acceptance. I was a divorced woman
trying to scrape pennies together and start a writing business when I didn't
really know what I was doing. I
submitted a literary short story to a contest in Iowa Woman titled "The Nest" that had a very personal
theme for me. When they called to tell
me I had won honorable mention and would be published in their next issue, it
was exactly the dose of self confidence I needed to believe in myself and
encouragement to keep writing. To this
day, when I read the story again it brings tears to my eyes.
You can visit my other blog at: http://love-faith-and-guts.blogspot.com/ that features a preview to my new book that will be released in 2012, Traveling a Rocky Road with Love, Faith and Guts.